For this reason it is important to approach apparently equivalent words in other languages with caution. the word "music"), not a universal concept, is the object of scrutiny. One aspect that is important to bear in mind when examining multi-cultural associations, is that an English-language word (i.e. Harwood questions whether a "cross-cultural musical universal" may be found in the music or in the making of music, including performance, hearing, conception, and education. #Elements of music freeA pulse is sometimes taken as a universal, yet there exist solo vocal and instrumental genres with free and improvisational rhythms no regular pulse, one example being the alap section of an Indian classical music performance. For instance, the fairly common assertion that "tonality" is a universal of all music may necessarily require an expansive definition of tonality. There is disagreement about whether some aspects of music are universal, as well as whether the concept of music is universal. However Nattiez goes on to say that despite special cases where sound is not immediately obvious (because it is heard in the mind): "sound is a minimal condition of the musical fact". In this example sound, a common element, is excluded, while gesture, a less common element, is given primacy. Jean Molino points out that "any element belonging to the total musical fact can be isolated, or taken as a strategic variable of musical production." Nattiez gives as examples Mauricio Kagel's Con Voce, where a masked trio silently mimes playing instruments. This suggests that while sound is often considered a required aspect of music, it might not be. Gordon the process of reading music, at least for trained musicians, involves a process, called "inner hearing" or "audiation", where the music is heard in the mind as if it were being played. Some definitions refer to music as a score, or a composition: ) music can be read as well as heard, and a piece of music written but never played is a piece of music notwithstanding. For example: performance, social, gender, dance, and theatre.ĭoes the definition of music determine its aspects, or does the combination of certain aspects determine the definition of music? For example, intensional definitions list aspects or elements that make up their subject. Near the end of the twentieth century music scholarship began to give more attention to social and physical elements of music. Virgil Thomson lists the "raw materials" of music in order of their supposed discovery: rhythm, melody, and harmony including counterpoint and orchestration. Merriam proposed a theoretical research model that assumes three aspects are always present in musical activity: concept, behaviour, and sound. According to McClellan, two things should be considered, the quality or state of an element and its change over time. Meyer lists melody, rhythm, timbre, harmony, "and the like" as principal elements of music, while Narmour lists melody, harmony, rhythm, dynamics, tessitura, timbre, tempo, meter, texture, "and perhaps others". Gradation is gradual change within one parameter, or an overlapping of two blocks of sound. Meyer compares distinguishing parameters within a culture by their different constraints to distinguishing independent parameters within music, such as melody, harmony, timbre, "etc." The first person to apply the term parameter to music may have been Joseph Schillinger, though its relative popularity may be due to Werner Meyer-Eppler. Ī 'parameter' is any element that can be manipulated ( composed) separately from other elements or focused on separately in an educational context. They are: pitch, duration, loudness, timbre, sonic texture and spatial location. Bruner II follows the line of temporal-based deductions in association with musical composition, denoting music's primary components as "time, pitch, and texture." Most definitions of music include a reference to sound and sound perception can be divided into six cognitive processes. Harold Owen bases his list on the qualities of sound: pitch, timbre, intensity, and duration while John Castellini excludes duration. According to Howard, there is little dispute about the principal constituent elements of music, though experts differ on their precise definitions.
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The SAO/NASA Astrophysics Data System is a Digital Library portal offering access to 15 million bibliographic records in Astronomy and Physics. Since 2020, it is running on a modernized platform that is continuously being improved. Close interaction with the user community and with arXiv, ADS, HEPData, ORCID, PDG and publishers is the backbone of INSPIRE's evolution. Previously known as SPIRES, it was the first website outside Europe and the first database on the web. Run in collaboration by CERN, DESY, Fermilab, IHEP, IN2P3, and SLAC, it has been serving the scientific community for almost 50 years. INSPIRE serves as a one-stop information platform for the particle physics community, comprising interlinked databases on literature, authors, jobs, seminars, conferences, institutions and experiments (each described in more detail below). The files are updated with each new edition of the Review of Particle Physics. Data entries are directly linked to the corresponding bibliographic information in INSPIRE.ĭata files that can be downloaded from the PDG include tables of particle masses and widths, PDG Monte Carlo particle numbers, and cross-section data. It allows one to navigate to a particle of interest, see a summary of the information available, and then proceed to the detailed information published in the Review of Particle Physics. The booklet contains an abbreviated set of reviews and the summary tables from the most recent edition of the Review of Particle Physics.Ī web application for browsing the contents of the PDG database that contains the information published in the Review of Particle Physics. It is one of the most useful summaries of physics data. Of historical interest is the complete RPP collection which can be found online: Īn abridged version of the Review of Particle Physics, available as a pocket-sized 250-page booklet. RPP is published as a large book every two years, with partial updates made available once each year on the web. The particle properties section provides tables of published measurements as well as the Particle Data Group's best values and limits for particle properties such as masses, widths, lifetimes, and branching fractions, as well as an extensive summary of searches for hypothetical particles. The review section includes articles, tables and plots on a wide variety of theoretical and experimental topics of interest to particle physicists and astrophysicists.
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Holy shit, she’s coming towards me, gotta act natural!Ĭolin Hanks plays a writer who feels like an outcast. We really wanted to recreate that for the moment in our teen movie, where you lay eyes on the girl of your dreams for the first time: you’re at a party and suddenly, gotta play it cool, gotta play it cool. It’s one of the best synchs I’ve ever seen in my life. She walks into the party and everyone stops and stares at her and that Sneaker Pimps song, ‘6 Underground’ plays. When you see Jennifer Love Hewitt for the first time it’s awesome: she’s obviously so beautiful and they’ve been hyping her up through the movie. Any time a new character is introduced, it’s with some awesome song playing in the background. It’s kind of like Superbad, how it all takes place over one crazy night. As a closeted kid who was not aware about my sexuality in any way, I was like, ‘Oh something about that registers with me, wonder what it is!’ Kat Stratford (Julia Stiles) is just a badass, the archetype of someone who is a badass and doesn’t need a man. Samantha Ronson’s “Built This Way” at the end of the dance scene I definitely used as sonic inspiration for the songs on this album. That inspired “Get My Picture” for sure…. You can’t even hear “Pass That Dutch” without picturing the shot of the Plastics walking down the hallway. I don’t think I’m alone - most people in my generation can quote 15 to 30 Mean Girls references at any given time. #Never have i ever soundtrack movieMean Girls is probably the single most influential movie of my lifetime. Every single girl in my grade except for me and two other girls went to see it at the mall together - I was one of three people who didn’t see Mean Girls… But I’m totally over it, I’m fine! The type of movie I should like is Clueless. It definitely impacted me a lot but not as much as… Īs we were pre-teens and just starting to do the whole sleepover thing, Clueless was on everyone’s consciousness: “Oh, have you seen Clueless?” It was my archetype for a rom com: This is the type of movie geared towards me. My mom made me go to the principal’s office the next day and tell her I faked sick and promise I wouldn’t do it again. I was singing in Spanish - but like, obviously didn’t speak Spanish when I was five - so was I just mimicking the sounds I heard. The babysitter caught me jumping on the bed doing a fake concert. I got in trouble in kindergarten for faking sick so I could go home and listen to my Selena album. I was so fascinated by the music and the characters. I never felt like a musician’s musician. I saw Selena and Spice Girls when I was in kindergarten and both movies shaped my life. I wasn’t traditionally trained and I didn’t take guitar lessons. Movies were my way into music in a lot of ways. # If state is set top True then override Maya's dag menu Menu_cmd = nu(maya_menu, query=True, postMenuCommand=True) or # We now get the menu's post command which is a command used for # First loop on Maya menus as Maya's dag menu is a menu State (bool): Whether or not to override Maya's dag menu with mGear's When turned on this will interact with dag nodes that This function is responsible for turning ON or OFF mgear's right click """Set on or off the mgear dag menu override Mc.menuItem(label='Submit a Bug or Request', command=(_showHelpCommand(WEBSITE_URL '/about/'))) Mc.menuItem(label='Python Command Documentation', command=(_showHelpCommand(TOOL_URL '#\[\[' self.name '\ Python\ Documentation\]\]'))) Mc.menuItem(label='Documentation', command=(_showHelpCommand(TOOL_URL self.name '/'))) Mc.menuItem(label='About', command=self.about) Tool.createMenuItem(parent=self.mainMenus, labelPrefix=MENU_ITEM_PREFIX ' ', italicized=True)Ĭommand='import ml_utilities ml_utilities.createShelfButton("import ' module ' ' module '.ui()", name="' self.name '", description="Open the UI for ' self.name '."' argString ')')Ĭommand=(_showHelpCommand(ICON_URL self.name '.png')))Ĭommand=(_showHelpCommand(WEBSITE_URL '/tools/'))) Pmc = mc.menu(self.mainMenus, query=True, postMenuCommand=True)ĮachLabel = mc.menuItem(each, query=True, label=True) #if this menu hasn't been built yet, run the post menu command to build it MenuItemArray = mc.menu(self.mainMenus, query=True, itemArray=True) You may have to select a menu option or click a button.FormatLabel = menuLabel.replace(' ','').lower()
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